Heidi Hanneman
The Review
July 1995

The Elden Street Players in Herndon, Virginia, turned in a strong performance of Hugh Leonard’s Da (June 9—July 1). Written about a middle—aged Irish emigre' who returns to Ireland to bury his father, Da (Irish for "dad”) is a whimsical look at his adolescence and relationship with his father.

Plagued by the ghost of his father who simply won’t leave him alone, Charlie remembers the times in his life when his “Da’s” presence was also unwelcome. He recalls the awkward shame he felt toward his parent and, intertwined with that embarrassment, camaraderie. Charlie relives everything from his first job to his first girl to the day he left home.

Edgar Glick, in the title role of Da, proved himself to be a marvelous actor. His excellent characterization kept the stage alive and glowing. He was accompanied by an outstanding supporting cast, the only disappointment being Charlie, the son, whose movements, demeanor and characterization were stiff and awkward. However, this was more than made up for by the passion and intensity showed by the other actors, particularly in the electric confrontation between the father and mother.

Special kudos go to Jo May, whose believable Mother showed a thorough understanding of the character, and to Phil Baedecker, whose performance as the cynical Mr. Drumm was a joy to behold. The Elden Street Players have proven themselves to be a very talented group as they performed this challenging play with surprising ease and emotion.